Wednesday, 1 March 2017

STRANGE BROUE ~ SEANCE - THE SATANIC SOUNDS OF STRANGE BROUE ... review


Never has anyone deserved a credit on more albums, EP's and singles than that old fallen angel Satan, it's no wonder they call rock and blues music "the devils work" the dark one has his hoofprints stamped all across it. Nowhere can these satanic influences be more witnessed than on those sounds emanating from the doom, metal and occult scenes, and no one does heavy doom and occult metal better than Strange Broue.  If you think that's an overstatement then wait until you hear the bands new opus "Séance -The Satanic Sounds of Strange Broue".


Like a documentary on  occultism "Séance" is an album split between heavy grooves of dark, dark doom/occult riffage, ritual chanting and samples of narrative, taken from a variety of sources, telling a potted history of Satanism and the dark arts. Like sitting through the best tutorial you've ever attended it is sometimes easy to forget you are listening to a music album but when those grooves do pop their heads above the altar table they soon make their presence felt by the sheer force of their dark and unsettling intensity. Thick slabs of gnarly, grinding riffage render the air with hurricane force  underneath which a tornado of percussion is deployed, pounding and crashing like a poltergeist trying to make its presence felt. Over this demonic barrage of malevolence vocals are delivered in a variety of demonic tones telling of " Satan's slaves" and "Candles burning" sometimes sang, sometimes chanted and sometimes howled, combining with the music to create a sound that is unnerving and just pure evil.
  "Séance is not an album you can easily cherry pick your favourites from, this is an album you really need to immerse yourself in, live with, to appreciate it's full glory/horror....but not alone!!!!!!
Check it out .....

Monday, 27 February 2017

ELECTRIC VALLEY ~ TWO REALITIES AT WAR ... review


Madrid Spain was once known as "Ursaria" which, as those with a degree in Latin will know, translates as "land of the bears" due to the amount of the large furry, and often bad tempered, mammals that were once found in its surrounding forests. The sound of roaring bears might have gone now but there is still plenty of growling coming out of the region courtesy of the grizzly riffage and rhythms created by Spanish groovsters Electric Valley.
The trio of  Mario Garcia (guitars), Charlie Sanchez (drums) and Miky Simon (bass/vocals) have this year followed up on the interest garnered for their excellent 2015 album "Multiverse" with the release of another slice of Mediterranean flavoured, space themed, stonerized hard rock flying under the flag of " Two Realities at War" ( nooirax producciones).


Thick, chunky powerchords, scorching guitar solo's, fills and motifs combined with bone-shaking bass and pulverising percussion coated in big throaty clean vocals are the hallmarks of Electric Valley's brand of sonic attack, The band use these tools to great effect on songs such as "The First Contact", "War of Cosmos" and " Robotsun" but there's more to Electric Valley than just gnarly riffage and pounding rhythm, this band know a thing or two about musical dynamics and structure too. The songs that make up "Two Realities at War" are put together with an element of light and shade texturing with less abrasive passages of psychedelic rock sitting comfortably next to those of gritty hard/stoner bluster giving songs like "Galactus" and "Lost In Eternity" a fuller and more rounded sound, that many other bands of their ilk struggle to achieve, with well written and arranged songs that ebb and flow between heavy and gentle with a delicious and consummate ease.
"Multiverse" was a spectacular explosion of stoner/psych brilliance that it seemed would be a hard act to follow but Electric Valley have with "Two Realities at War" not only matched that brilliance but outshone it.
Check it out .....

Sunday, 26 February 2017

ODDHUMS ~ INCEPTION ... review




Missed by Desert Psychlist on its release "Inception"(Third I Rex) from Spanish trio Oddhums is an album that is both intriguing and unsettling, intriguing because its hard to believe the enormous amount of gritty groove Freg (guitar); Keke (drums) and Will (bass & vocals) manage to create within the confines of their trio format and unsettling because its so damn hard to pin a tag on these guys due to broad range of genres Oddhums dip their toes into over the breadth of just four songs. Throughout "Inception" elements of ambient psych and post-rock texturing mix quite amicably with those of growling, fuzz heavy sludge and dark atmospheric doom with Keke's underlying rhythms shifting from a shimmering whisper to a pounding whirlwind of percussion in the blink of an eye. Add into this equation Freg's massive sounding guitar tones,Will's spine crumbling bass and mix of bellowed sludgey roars and clean mellow vocals and you arrive at a sound that combined with the excellent production is so much more than the sum of its parts.
Check it out ....

Friday, 24 February 2017

EXIST AMONG ~ EXIST AMONG ... review


The words "old school doom" may strike fear in the hearts of those who like their dark and dismal grooves leaning more towards the blacker, more extreme edges of the genre but for us who were schooled on the proto-doom of Black Sabbath through the fledgling traditional doom of Candlemass and Count Raven to the sounds of today's Pallbearer, Dopelord and their ilk it is manna from heaven (or on reflection .. hell).
Exist Among, a trio from New York consisting of Kaiser -Guitar/Vocals, Mojo -Drums and Casey-bass, re kindle those heavy grooves of dark melodic intensity from the past, mixing them with elements of  today's gnarlier modern doom  and present them, to us the faithful, laid out on the altar of their debut self-titled album "Exist Among".


"Exist Among" is an album that pulls together all the threads of doom's many genres and sub-genres and weaves them into a tapestry of groove that is very much of the present but one that also acknowledges its past.The band, over the span of the seven songs that make up "Exist Among", call into play all those "old school" values of atmosphere and melody and blend them in with the grizzlier, harder elements of "modern" metal and doom to create a sound that will appeal to fans of both "schools" . Exist Among readily admit to being influenced by the past masters of doom but also cite the likes of alt/grunge rockers Alice In Chains and thrash monsters Slayer as integral in shaping their overall sound. Whether these influences are obvious ones is debatable but on songs like "Final Out" and "World In Shit" and the excellent "Walking Zone" there can be found touches of other genre colouring and texture bubbling latently under the surface, not obvious but there all the same.


If your a doom fan looking for an album that walks a fine line between the old and the new then you cannot go far wrong by giving "Exist Among " a listen.
Check it out .....

Thursday, 23 February 2017

BLOOD MIST ~ BLOOD MIST ... review


Question: What do you get when you stick five guys, from Baltimore, Maryland, with a penchant for heavy metallic music, weed, magic and dragons, in a studio together?
Answer: "Blood Mist" (Grimoire Records)...one kick-ass EP packed to the brim with grizzly riffage, scorching bluesy solo's, pummelling heavy rhythms and cool, clean  massive vocals!


Blood Mist are John de Campos (drums), Matthew Casella (vocals), Nick Jewett (guitar), Kevin Considine (guitar), and Scott Brenner (bass), a band of hairy desperados intent on melting faces, destroying villages and scorching the earth (their words) with their brand of gnarly doom tinted stonerized metal.
Dio-esque lyrics of mythical landscapes and combat are powerfully roared over a backdrop of doom-like dynamics enhanced by a mixture of crunching riffage, twin guitar harmonies and searing guitar pyrotechnics all underpinned by a skilfully solid and extraordinarily adept rhythmic base. The bands blend of old and new school  heavy metal and doom inform each and every one of the five tunes on "Blood Mist" giving songs like "Burn The Trees" and "As the Crow" a feeling of familiarity yet at the same time maintaining a freshness and vitality that confirms they are very much of today.
Check 'em out .....

Wednesday, 22 February 2017

CUSTOM BLACK ~ SMOKE SHALL RISE .... review


There are times in a bloggers life when he think he's got everything mapped out, he sets out a plan on what album/EP he's gonna review next, the one after that and so on, smug in the knowledge that he's got everything covered.... then along comes an album/EP so good all those plans go up in smoke and he knows this album has to be reviewed right here, right now! Custom Black's debut "Smoke Shall Rise" is one such album!


Coming from somewhere between the proto-doom of UK's Black Sabbath and the stonerized classic hard rock of Sweden's Spiritual Beggars ,with a touch of  Grand Magus style heavy metal thrown in for good measure, "Smoke Shall Rise" is an album that'll unite stoners, doomsters and metalheads together under one banner. Custom Black, Josh Acosta (guitar/vocals), Glenn Hall (bass) and Brian Burchfield (drums), create a sound and groove gritty enough for those that like their music a little dirty and fuzzy but one that is also grim and gnarly enough to please those with a penchant for the darker side. From the opening bars of first track "She Rides" the listener is taken on a roller-coaster ride of crunching guitar riffage, scorching solo's, grizzly bassitude and pulverising percussion coated in strong powerful clean vocal tones, that dips and rises through a variety of tempo's and dynamics before reaching its final destination on the deliciously metallic, totally essential grooves of title and closing track "Smoke Shall Rise".
If you like your music a touch gritty, a touch doomy and a whole lot metallic with a groove deeper than the Mariana Trench then "Smoke Shall Rise" is an album you just must check out......

Tuesday, 21 February 2017

CARSON ~ DROWN THE WITNESS ...review


Strange how things seem to go in the life of a music blogger, three hours after discovering Swiss groovsters Carson's new album on Bandcamp and spreading the news all over social media sites I get a message from a friend that the band have decided to call it a day due to their singer and guitarist emigrating to New Zealand. Oh well if your gonna call it quits at least go out on a high and that's exactly what the band have done with their first (and last) full album "Drown The Witness".


Title track "Drown The Witness" burst into life on a heavily fuzz soaked circular refrain, that recalls  those early desert rock grooves coming out of the Palm Desert area in the early 90's, with the songs sonic attack leaning more towards the harder edged riffage of Dozer than the sandier psychedelic tinged grooves of Kyuss. Guitarist and vocalist Kieran Mortimer-Jones chops out gritty powerchords and curly little licks over which he delivers gritty clean vocals that are superbly bolstered by a hurricane of rhythmic might supplied by the engine room of Jan Kurmann (drums) and Elina Willener (bass). Gritty, dirty with a totally addictive groove it sets the tone for the rest of the album with songs like "Divided", "Chicken" and "Amber" following similar paths of warmly fuzzed desert grooviness played hard fast and deliciously dirty. The band do though have other strings to their bow like on "And His Bone" with its gnarly grungey/alt-rock groove, "Mold" with its lysergic intro and funky psych interludes and the bluesy desert vibes running through "Pissing In The Wind" enhanced by quiet/loud/quiet dynamics.


Overall Carson have with "Drown The Witness" made an album that should appeal to both those who like their grooves down and dirty and those who like their music a little more cerebral, its just a damn shame it has to be their swansong.
Check it out ....