Tuesday, 13 May 2025

PARALYZED ~ RUMBLE&ROAR .... review

 

ParalyzedMichael Binder (vocals/lead-guitar); Caterina Böhner (organ/rhythm guitar); Philipp Engelbrecht (bass) and Florian Thiele (drums), caused somewhat of a stir with their first album "Hidden Sun" and suddenly it seemed that everyone, in this scene we call "the underground", was singing the praises of this wonderful new heavy blues/heavy psych outfit from Germany , and quite rightly too because this was no pale imitation of something that had gone before, the sound these guys made together had depth and authenticity. Their next album, the self-titled "Paralyzed", was just as good, if not better, and saw the band slightly ramping up the psych side of their sound but doing so without compromising on any of their heavy blues swagger. Third album "Heavy Road" found Paralyzed getting a little more old school, still incorporating all those elements of heavy psych and stoner rock that they had by now become known for but with an overall dynamic that was a touch more retro and rootsy. With three sonically superb, critically acclaimed albums under their belts one might think that Paralyzed might have hit their creative peak and could not possibly better what they had already delivered, not so, in fact the bands new album "Rumble&Roar" (Ripple Music) is, in our humble opinion, one of the best blues based albums to come out in the last ten years.


 "Machine With A Soul" opens proceedings, the song begins life hazy and psychedelic with surf -like guitar textures reverberating over a backdrop of solid tight drumming and low bouncy bass but then shifts up into a more stoner(ish) blues rock groove when the vocals come in, those vocals delivered  in husky slightly gravelled tones. Now many have accused Binder of having a voice that sits somewhere between that of Glenn Danzig and Jim Morrison but he is totally his own man here, his vocal a sublime mix of wearied growliness and soulful grittiness. There is a touch of Creedence Clearwater Revival's swampy stridency about next track "Railroad", albeit with far huskier vocals, to the point that Desert Psychlist keeps expecting to hear the line "rollin' on the river" despite the fact that this song references a completely different mode of transport. "Rosie's Town" is unashamedly Doors-ish in feel, thanks in part to Böhner's parping keyboard motifs but also due to Binder channelling some Robby Krieger like textures in his guitar work, bassist Engelbrecht and  drummer Thiele meanwhile do a fine job of keeping everything tight solid and groovy. Chugging rhythm guitar, booming bass and swinging drums create a platform for Binder to decorate with gritty vocal tones and searing six-string fills and solos on the explosive and well named "Heavy Blues" while its follow up, the achingly beautiful "The Myth of Love", goes in a completely different direction with ringing acoustic guitars framing a lilting low key Binder vocal. "White Paper" fools you into thinking its going to be following in the footsteps of its predecessor but then morphs into strident blues number boasting a vocal that falls somewhere between a sermon and a rant. It's an unwritten law that any blues based outfit worth their weight in mojo HAS to grace an album with a song boasting torch like dynamics and Paralyzed give us two here, first the excellent "Leave You" an old school type blues that slowly evolves to take on a slightly southern rock flavour and secondly "The Witch" a song that slowly transitions from tranquil and moody to soaring and emotive. Last number, "Truth and Lie" sees Paralyzed merging their blues with their usual essences of stoner rock and heavy psych but also adding a little proto-doom flavouring into the mix, granted it is very low key and understated doomic flavouring but one that's still there nevertheless.      


If you love the blues but are not someone who is fully versed in its history, who may have heard names like Robert Johnson, Big Joe Turner, Bessie Smith and Willie Dixon but are not overly familiar with their work, then its highly likely that your love of the genre has come directly from listening to albums from the likes of The Rolling Stones, Led Zeppelin, John Mayall's Bluesbreaker's and Peter Green's Fleetwood Mac. If that sounds like you then Paralyzed's "Rumble&Roar" is an album you will want gracing your music collection, a superb heavy blues based opus with a truly authentic feel that will reignite your love of the genre and hopefully inspire a whole new generation to explore its merits.
 
© 2025 Frazer Jones

Sunday, 11 May 2025

CAVERN DEEP ~ PART III-THE BODILESS ...... review


"Part III - The Bodiless" (Bonebag Records/Majestic Mountain Records) is Cavern Deep's third album and also the final instalment of the conceptual story that began with the release of their self-titled debut album. Those already invested in this story will know that what began as a somewhat Lovecraftian tale with "Cavern Deep" took a turn for the metaphysical on second  album "Part II - Breach" and "Part III - The Bodiless" continues along much the same path. As we did with our review for "Breach" Desert Psychlist will concentrate mostly on the music gracing "Part III- The Bodiless" rather than trying too dive too deep into its concept, this is partly because concepts are subjective beasts and partly because what is basically a humble music review would be in danger of turning into a full blown novel.


The final chapter of Cavern Deep's sprawling doomic trilogy begins with "Bodiless" a low tuned and lurchingly atmospheric opus that sees bassist/vocalist Max Malmer; guitarist/vocalist Kenny Oswald Dufvenberg, drummer/vocalist Dennis Sjödin and synth maestro Johannes Behndig being joined by Slomatics Marty Harvey, Harvey's powerful, distinctive vocal tones combining with those of his fellow contributors to add an air of majesty to what is in essence a thrumming doomic dirge. "Queen Womb" follows, here we have the entity that first came into being at the end of first album "Cavern Deep" facing down the first of a series of foes, this one described as a "beacon of pleasure and pain" who wears a gown "spun of endless night", the ensuing conflict played out to a backdrop of dank dark groove that is constantly swelling and dissipating and is decorated in a mix of vocals that alternate between low throaty croons and choral-like harmonies. With the Queen dealt with the Bodiless then confronts another adversary this one going by the name "Putrid Sentry", musically this song sits in the canon of stoner doom but on its journey touches base with both epic and traditional dooms as well as some elements that might be considered spacious and post metallic, vocals here are a powerful mix of lead and joint harmonies with those harmonies having a choral-like quality, something that is particularly effective in ramping up the songs foreboding atmospherics. Next up is "Moskstraumen", a song featuring the skills of saxophonist extraordinaire Martin Ludl, here we find the now slightly worse for wear Bodiless using the last of its reserves to take on its final foe and as befitting for a final boss fight the songs musical dynamic is a little more strident and forceful. The vocals here are sublimely powerful and the musicianship top notch with Malmer's bass and Sjödin's drums laying down a near perfect platform of dank thrumming groove for Behndig to enhance with luscious synth textures and Dufvenberg to decorate with crunching chord work and swirling lead. Penultimate number "Galaxies Collide" finds the Bodiless having achieved its aims now dissolving into nothingness, low key yet at the same time huge and majestic the song musically has the feel of a lament yet there are no regrets or sadness in its lyrical content just feelings of resignation and acceptance. All the best stories have a twist in their tail and Cavern Deep close their trilogy with a doozy of a twist in "Full Circle" a  soaring and atmospheric semi instrumental piece that sees our not so friendly neighbourhood entity finding itself returning to flesh and bone back on the very mountain its journey started out from.


Waiting for "Part III - The Bodiless" to drop has been somewhat like waiting on your favourite writer to publish the next instalment of an ongoing saga or looking forward to the release of a new season of a much loved tv franchise, you know its coming but the wait seems unbearable. There are times however  when those books or tv shows do not quite live up to the expectations we have placed upon them but thankfully that is not the case here. Cavern Deep have delivered with part three of their trilogy everything we hoped they would, an album of well thought out, well structured and superbly played songs wrapped around a complex story that has at times been confusing but at all times has been totally engrossing. "Part III - The Bodiless" is the final stop on what has been a fantastic musical journey, let's just hope it is not the last journey these guys decide take us on.
Check it out.

© 2025 Frazer Jones

THAMMUZ ~ III ....review

 

Some albums come into our lives and, although we enjoy them, rarely get played more than a handful of times whereas their are some albums that become staples, albums that we return to over and over again, albums that we know we will still be playing years down the line. On Desert Psychlist's list of albums that fit into that latter category sit two from Netherlands outfit Thammuz, their 2020 debut release "Into The Great Unknown" and its 2022 follow up "Sons of the Occult", two albums that delivered all the requisite heaviness we in this scene love but also delivered on things like melody, swing and groove. The band have just released their third album "III" via Argonauta Records, will it join its predecessors on our list of staple listening material? Let's find out. 

Thammuz's "III" sees somewhat of a sea-change in the bands musical attack, it is not a major change but it is a change all the same. Thammuz's previous releases sat very much in desert rock territory, albeit territory that often shared borders with genres like heavy psych and hard and classic rock,  "III" however see the band exploring the more darker edges of their sound, even getting a little doomic and sludgy in the process. This slightly edgier/darker attack bares it teeth as early as track one on "III" with the excellent "When The Darkness Comes" (featuring Jelle Aron Scholtes of Baardvader) and flows all the way through to final track the dark and folkish "Devil's Gallows" (featuring guest vocalist Merle Pelle) however do not go thinking that the diversity that we at Desert Psychlist have praised the band for in previous reviews has been abandoned for all out doominosity as elements of the blues, hard'n'heavy classic rock and psych all feature heavily throughout "III" its just that  here they are they are applied with slightly heavier brush strokes. Vocals on "III" sit mostly on the melodic side and vary between strong clean and gritty and strong and growly depending on the musical setting, those settings also coming in a variety of guises like lysergic and prog-metallic for the superb "Ishtar", doomic and sludge-like for the gnarly and intense "Bloodlust" and forceful and frenetic for the schizophrenic "Azazel". In truth though you will not find a track NOT to like on "III" with "Old Man", "Risen" and "Dissolution"(also featuring Merle Pelle) all in possession of  their own unique quirks and charms. 


Some might call "III" Thammuz's a "coming of age" album due to its raised levels of maturity in both its arrangements and song writing while others might to refer to it as more of a "coming of rage" release due to its darker, edgier and angrier dynamics but whether you are in the "age" or "rage" camp there is no denying that "III" is one hell of a great album. 
Check it out ..... 

© 2025 frazer Jones

Tuesday, 6 May 2025

WHITEHOVSE ~ THE MIGHTY ONE ... review

 

Five guys from Tasikmalaya, Indonesia going by the name WhitehovseChandra (vocals); Gilang (lead guitar); Fahmi (rhythm guitar); Nizar (bass), and Ropik (drums), have just released, what is in our opinion, is one of the best stoner, sludge, doom, heavy psych albums to ever come out of the Indonesian underground scene. Now you maybe thinking that is a bold statement, especially given that not a whole lot of Indonesian releases make their way to western ears, but Desert Psychlist is in the privileged position of being sent albums from all over the world so we have been lucky enough to hear A LOT of albums from bands residing in this particular corner of the world and Whitehovse's debut "The Mighty One" is by far one of the finest.  

"Endless Sorrow" opens this debut's account, an atmospheric yet heavy tome that totally justifies the various genre tags we ascribed to Whitehovse's sound in this reviews opening piece. The song begins in tranquil lysergic/psychedelic waters, all spacious and moody, but then proceeds to get heavier and more metallic as it progresses with those elements of doominosity and metal sludge-iness becoming more and more pronounced. "Endless Sorrow" is followed almost immediately by "Falling Crown" and here we get our first taste of Chandra's vocals. Now one of the biggest complaints we hear regarding vocals placed at the forefront of albums coming from the eastern regions of Asia is that they tend to be heavily accented, this has never been a problem for us at Desert Psychlist but we can understand why some do struggle with them. That is not a problem here though, there is hardly a hint of Chandra's accent to be heard throughout this number, or for that matter anywhere else on the album, this may be partly down to his clean strong vocals sitting low in the mix, it could be because our ears are drawn to the strength  of the excellent  riffs, rhythms and solos Gilang, Fahmi, Nizar and Ropik lay around his vocals or it could simply be that Chandra has great diction, either way they serve the song perfectly. The blurb that accompanies this debut album on the bands Bandcamp page states that the bands influences stem from, among others, a shared love of bands like Clutch, Alice In Chains, Orange Goblin and The Sword and it is the last on that list that Desert Psychlist hears a large majority of  in Whitehovse's sonic attack with songs like "Dead Rolling", Human Extinction" and especially "Against The Wall" all possessing similar rolling hard driven dynamics. These guys also know how to mix things up too. the band incorporating a touch of old school metallic chug'n'roll into the strident "Silence Of The Soul" and some nice heavy bluesiness into title track "The Mighty One". and as if to prove that they did not forget to mention the combined might of  Ozzy, Tony, Geezer and Bill in their list of influences Whitehovse bring things to a close with "Vile Triumphant" an instrumental that sees the band capping off what has been a thoroughly enjoyable listen with some Sabbathesque proto-doom.  


If you are one of those who has not yet explored the musical delights the Asian underground scene has to offer but are thinking of taking the plunge then making Whithovse's "The Mighty One" your first point of call on your journey would be highly advisable, its not just a superb Indonesian album it is a superb album FULL STOP! 
Check it out ..... 

© 2025 Frazer Jones