Tuesday, 23 April 2019
NEOYKA ~ VOL. II: DESBORDE Y EL OCASO ..... review
Desert Psychlist has waxed lyrical about Chile's underground rock scene on these pages before as well as filling readers in on a little history regarding the suppression of any music that the Chilean authorities deemed to be subversive. Thankfully things have changed quite drastically in that department over the years and Chile is now a hot bed of musical activity, especially in the field of underground rock.
Neoyka, Alfredo B. (guitar/vocals), Diego H. (drums), Felipe P. (bass/vocals) and Moisés S. (synthesiser), hail from La Serena, Chile and call what they do "stoner/fuzz rock", a term that somewhat belies the depth and scope of the grooves these guys bring to the table, yes they have the stoner fuzz thing going on and yes they do rock but there is a lot more going on here, something that is more than borne out when listening to their latest release "Vol.II: Desborde y el Ocaso"
Ominous and atmospheric is the best way to describe "Vol.II's" opening instrumental "Introspeccion I" it's deep booming bass lines, scorching psychedelic guitar forays and hard driving percussion are taken to another level by an array of swooping, swirling keyboard /synth colouring, all these elements coming together to create a mood and feel that although edged in darkness is nonetheless soulful and uplifting . As well as being quite adept at being dank and moody Neoyka can also rock and they prove this with songs like "Marbola", "70 Rockas" and "Estrelle de sombras benignas", songs drenched in devastating levels of distortion and fuzz and coated in powerful clean dual vocal harmonies (sang in Spanish), songs that grab you by the throat and demand your attention. It is however those songs that step off the gas a little and explore darker sonic pathways that really make Neoyka a force to be reckoned with, the lysergic "Sabes" with its beautiful keyboard intro and emotive vocal melody, the stoner doomic "A 2 segundos" with its dank distorted doomic refrains and church like organ textures, the bluesy and schizophrenic "Nuestra marcha" and the hazy, lazy, lysergic instrumental "Introspeccion II & III" all go to show a level of arrangement, song writing and instrumental aptitude that is, at times, mind-blowing.
Stunning is a word oft overused regarding music and art but Desert Psychlist does not apologise for using it in the context of "Vol.II: Desborde y el Ocaso", this IS a "stunning" album that rocks and soothes in equal measure and should be heard to be believed.
Check it out …..
© 2019 Frazer Jones